Past Exhibitions

This exhibition by the “Third Tuesday Group” explores the human figure, nature, landscape, abstraction, and formal concerns in a wide range of media.

This exhibit, featuring artwork created by survivors, is presented during Sexual Assault Awareness Month by Luna.Corvus.Curiosities—in partnership with YWCA York, Marketview Arts, and YCP's Title IX Office—to raise awareness of the impact of sexual assault on survivors.

McKinley Wallace III’s use of the color blue may represent peace, tension, or the abuse of power depending on placement, size, or shade. His mixed media works tell stories of power manifested in resilient peoples, determined to resist erasure and break free of master narratives.

Themes of valor and sacrifice, common during Veterans Day events, are complicated by expressions of grief, confusion, anger, and guilt in this exhibition of artwork by combat veterans, whose experiences at war and upon returning home sometimes leave them wondering what it was all for.

This printmaking exhibition guest curated by Drive By Press cofounder Joseph Velasquez explores the complexity and diversity of the Latinx experience through the lens of belonging, interpreted broadly as connection to lands, customs, community, nation, contemporary art, and the feeling of being welcome or unwelcome.

The themes of this exhibition revolve around memory and perception, roles within the nuclear family, gender roles and stereotypes, the relationship between abstraction and representation, and the psychological impact of paint handling

Between the pen and ink and the large-scale paintings themselves, this series featured work in response to Dabb's year as the Appell Arts Fellow.

This exhibition features artists addressing gender identity in a variety of ways that include examining their own relationship to established gender norms and expectations, responding to the heteronormative male/female binary, and asserting Queerness as a fluid alternative to the idea of a stable gender identity.

This exhibition explores “the big lie” behind the Stop the Steal movement, looking deeper into questions of who the country belongs to, who gets to protest, and what has been stolen from whom throughout American history.

The work of Taring Padi, an art collective in Yogyakarta, Indonesia, demonstrates the democracy of printmaking and collaboration, denouncing corruption, environmental exploitation, inequality and neo-imperialism while advocating for the poor and dispossessed.

Entang Wiharso has a multidisciplinary practice and is widely regarded for his unique depictions of contemporary life that employ a dramatic visual language, creating artworks that exist in relation to the mythologies of a centuries-old animist past and the high-speed, hyper-connected lifestyle of the 21st century.

This exhibition represents the culminating experience of the Appell Arts Fellowship, an 11-month artist residency awarded to a recent graduate of York College's art program.

Andi Simpson is an abstract painter/muralist based in York whose work often blends an ethereal sense of warmth and light with the chaos found in nature.

The Social Networking, community engaging, boundary breaking, human centric project developed and produced by Ophelia M. Chambliss.

This exhibition is a surrealist introspection into the constant work of understanding and reconciling the baggage of the past.